TIBASKO – “Traces” (sc)
Juno Francis – “Labyrinth” (sc)
The China Blue – “tonightfeelsdifferent” (sc)
I revived an old music blog from the early 2000s?
Maybe it’s been a foolish endeavor, and maybe I’m the only one who misses the blog ol’ days, but I’ve been giving it a shot. I’ve been working on restoring some of the old content, though much of it was lost. I’ve slowly been rebuilding the old remix sunday archives, and even posting the occasional new edition. And I’ve been writing again.
You can find all the label’s releases here, on bandcamp, or most anywhere you listen to music these days. I’ve still got copies of some of the old vinyl releases, and I recently released the first in a set of charitable cassette compilations to raise awareness about the continued [mis]use of broken windows policing methods.
Plus, I put together a playlists section with a handful of spotify lists that hopefully start to capture a [slightly] updated version of the moods we used to peddle. Give those a listen and a ❤ if you would be so kind. If you want to get in touch, just give me a holler.
– Haldan/Boody
TIBASKO – “Traces” (sc)
Juno Francis – “Labyrinth” (sc)
The China Blue – “tonightfeelsdifferent” (sc)
Sharp, clenched, grand electronica from LA-based Tommy Simpson, aka Macro/micro. Simpson recently stopped work as an engineer for Trent Reznor and Atticus Ross, where he assisted on the last two NIN albums and their recent film work, including that excellent score for Watchmen.
Simpson’s own work as Macro/micro definitely exists in a similar space as does that of Reznor and Ross, particularly in his use of tightly controlled distortion (see e.g., “Awe” and “He’ll Be With You Shortly”). But there’s also an evident generational divide. Despite its general darkness, this is not dour music, there’s plenty of optimism to be found here too (see e.g., the closer, “Gratitude” which is probably my choice from the record). As a much younger artist, Simpson seems more willing to open the blinds more often and let in some light.
Check out the whole album, released this past July. It’s out now on bandcamp, and streaming everywhere else.
Macro/micro – Things Will Never Be The Same Again (bc)
I’m slowly returning from paternity leave, and this kind of ditty from LA-based apob speaks well to my current mood. Having a little baby who smiles constantly and squeals in delight 100x/day makes it hard to have anything but fun, even though my wife and I are both wildly exhausted.
The sound of “having more fun v1” is true to its name, for sure, but it’s still got an artery of subtle seriousness running through it — maybe it’s that Twin Peaks-y secondary bass line. This song is the first solo release from apob, real name Aaron O’Brien, but he’s produced and written for some interesting names these past couple of years, including Dora Jar, Aiden Bissett, and JELEEL!. One to watch, this one.
Not on bandcamp, but streaming all over, including on spotify.
apob – “having more fun v1” (sc)
No words necessary for these legends. Except to say Teklife deserves all the love.
Out now as part of Teklife’s On Life Vol. 3 compilation, out now on bandcamp and streaming everywhere else.
DJ Phil, DJ Spinn, DJ Manny – “No Love” (sc)